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Tower Bridge at Dawn

Woman with umbrella on Tower Bridge London UK

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cats of tel aviv

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tel aviv graffiti

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cats street travel

cats of jerusalem

 

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travel

bethlehem and the separation barrier

20141225-bethlehem-separationbarrier-blog-graffiti-JIG-gallery-1Merry Christmas everyone. I was in Bethlehem two weeks ago. It’s is a pleasant town with friendly people, and as usual I wandered aimlessly with my GPS in hand looking for interesting situations, exploring and chatting with locals.

Bethlehem’s big attraction is the , built over the supposed site where Jesus Christ was born. It’s quite interesting to see it and well worth sparing an hour from your schedule. However, there is a new structure that has had a far greater impact on the people of Bethlehem in only a decade than the church has had for 1,700 years.

And that structure is the separation barrier:

The separation barrier as seen before exiting Bethlehem.

The barrier seen before exiting Bethlehem.

On either the Israeli and Palestinian sides, you don’t need to be too far away from the barrier to slip back into an illusion of normality. But anything that seems normal to you collapses when you first see this thing. These images give an idea of what it’s like crossing into Bethlehem:

As stark and bleak the barrier and ruin around it is, a wall is just a wall and can’t tell story. People do. I met and spoke with a dozen or so locals, but two stories stood out to me.

 

Ala’a: the taxi driver and tour guide

Ala'a, the taxi driver outside the separation wall.On the edge of town approaching the checkpoint, I met Ala’a. Like many in Bethlehem, he is a taxi driver and tour guide. He told me of how much the price of fuel has increased in recent years of the occupation. It is so expensive that he spends all day driving and looking for customers in order to pay for the fuel that he needs to drive all day to look for these customers.

He insisted I take his picture against the wall when he learned I’d be writing about my experience with locals in the West Bank. He is a very genuine person and unfortunately I met him near sunset. When I go back to Bethlehem, I will contact him for a tour of the surrounding areas. If you’re going there, you can reach him alaa.as82@hotmail.com.

 

“Maria”: the souvenir shop owner

At one point I followed the wall into a dead end, in which a four-story building sat surrounded by the wall on three sides. I met Maria (name changed for confidentiality) who owned the building and the shop at street level. She invited me inside and told me her story. Ten years ago the Israeli government built the wall, bisecting the main road to Jerusalem opposite her building. Her family’s other two properties were lost to the now Israeli side. She showed me on the street that used to be in front of us. It was hard hearing her speak of him in the past tense. I didn’t ask why.

She did not want her portrait taken, but allowed me to take one of her back:

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She wanted me to see what she sees everyday.

As I said, walls alone can’t tell the whole story. But people can use walls to tell their stories. Graffiti, to me, is most interesting when it has a message. And there is plenty of that, enough to keep me looking at the messages for hours. I even stumbled across the  that you’ve probably seen.

The separation barrier is a living, evolving protest piece. It’s fascinating. Here’s a bit of what I saw:

 

Fortunately, there’s much more to Bethlehem than this barrier and the church. To see what I mean, check out my Bethlehem gallery.

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Merry Christmas!

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cats of harar, ethiopia

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graffiti travel

macau graffiti

 

 

 

 

Next time you’re in Macau, if you would like to visit this graffiti park, you can find it here:
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culture street travel

the baku rail life

A freight train passing through a narrow alley in Shanghai, Baku, Azerbaijan.

Welcome to Shanghai. Not in China, but a small neighbourhood in Baku, Azerbaijan that is built right on top of freight railroad tracks.

Most of the people who live here are refugees displaced as a result of the Nagorno-Karabakh war. This territory, inhabited by mostly Armenians, decided it wanted to be free of Azerbaijan and unite with Armenia. The ensuing war over the region led to many deaths and many more displaced. The Azeris in Nagorno-Karabakh fled to Azerbaijan, and the Armenians in Azerbaijan fled to Armenia.

As a result, there are now about one million refugees and/or displaced persons living in Azerbaijan. Many of those (about 175,000) wound up in Baku. And the ones with the least means wound up in neighbourhoods like Shanghai.


And here the residents built their own houses out of tin, brick, wood and myriad materials held together by scrap metal, tangled wires and propped up with rusty pipes. This makeshift construction means practically all of the buildings were built illegally without zoning permissions and safety inspections.

A neighbourhood scene in Shanghai, Baku, Azerbaijan where railroad tracks form the street. © Nicholas Orloff.

Throughout the day, trains carrying heavy cargo and chemicals dictate when residents can do the most basic things outdoors that many take for granted. Every 20 minutes, the screech of old wheels grinding on rusted tracks scatter chickens, children and cats. Chaos and calm are kept to a strict timetable where the gauntlet of shacks hugging the tracks breathe people in and out to the rhythm of the rails.

© Nicholas Orloff. An elderly woman is waiting for a very large oil tanker train to pass so she can cross the street.

An elderly woman walking down the train tracks running through her neighbourhood: Shanghai, Baku, Azerbaijan. © Nicholas Orloff Photography.

Woman in the distance walking the railroad tracks under a bridge. © Nicholas Orloff Photography.

Considering just how close these trains get to the houses…

A freight train passes dangerously close. © Nicholas Orloff Photography.

…accidents have been unavoidable. People, mostly children, have been killed or maimed over the years.

Portrait of a man whose brother lost his leg on the train tracks behind him. Shanghai, Baku, Azerbaijan.

Yousif’s brother lost a leg whilst playing too close to the tracks.

Social services and public spending are almost non-existent here.

Elderly woman dumping rubbish on the street Shanghai, Baku, Azerbaijan. © Nicholas Orloff Photography.

But just outside Shanghai, heavy investment is occurring.

The luxury SOCAR office tower, the tallest building in the Caucusus, rises above Shanghai. © Nicholas Orloff Photography.

The luxury SOCAR office tower, the tallest building in the Caucasus, rises above Shanghai.

Despite the peculiarity of the people’s predicament, they do their best to live a normal life. And they alone have built a strong-knit community with most of the trappings of an ordinary neighbourhood.  

A greengrocer stands in front of his shop in Shanghai, Baku, Azerbaijan. © Nicholas Orloff Photography.

Centimetres from the railroad tracks, a woman hangs laundry outside her house in Shanghai, Baku, Azerbaijan. © Nicholas Orloff Photography.

Man playing with and feeding pigeons in Baku, Azerbaijan. © Nicholas Orloff Photography.


Thanks to increased gas and oil exploitation, Azerbaijan is becoming wealthy…very quickly. Since entering into an energy development deal in 1994 with a group of major oil companies, and a new pipeline started operating in 2006, the government has raked in billions of extra revenue each year. As a result, GDP increased from $3.3bn to $75.2bn in only twenty years.

Much of this wealth is concentrated in Baku, especially . But whilst this money is lavished on ,  and events like the European Games, refugees and their descendants still live in limbo. So, is the government just turning a blind eye? Not completely. The USSR collapsed just when the refugee crisis struck, and the newly formed Republic of Azerbaijan’s economy was at its worst. The new country absorbed almost a million displaced persons. To put that in perspective, one out of eight people living in Azerbaijan today are refugees.

The government has moved many into old university dorms, constructed villages of residential apartment blocks and has plans to build homes for 400,000 more people living in conditions like in Shanghai. But when? Those I spoke to were sceptical, as they’ve heard these promises for a long time.

Oil money has lifted many boats in Baku, but the wealth continues to roll straight through Shanghai

In the distance a man walks down the tracks towards Shanghai. © Nicholas Orloff Photography.

Nizam Street, Baku, Azerbaijan. © Nicholas Orloff Photography.

Nizami Street

The Flame Towers at night, in Baku, Azerbaijan.

The Flame Towers

Philharmonic Fountain Park

Philharmonic Fountain Park

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exploration hiking history nature travel

no fish to kolka

closeup shaky photo of a dirt by Nicholas Orloff

The Sony A77’s swan photo.

This photo of a dirt road is the last I took before a travel photographer’s worst nightmare struck. During a cold-stomached panic, all efforts to revive my camera were futile and for reasons I will never know, it was toast. With help out of reach, I strapped my substitute photographic device (iPad) to my chest and continued pushing through the forest like a grizzled woodland teletubby.

For as long as I remember, I’ve had a love of fishing. At our family house in the remote woods of upstate New York, my father and I would hike to a lake through the woods and we’d fish away the afternoon. Later in life, whenever I was in the need of peace or a freshly caught meal, I’d drive up there, walk through the forest and sit by the water with my rod and thoughts.

So when I read about the Livonian coast in north west Latvia, an 80km stretch of unspoiled coastline dotted with 12 historical fishing villages, I just had to go. It’s been a decade since I’ve fished, but I could experience it vicariously. I would walk the entire way, stop at each village, eat fish at ramshackle seaside cafés, chat with locals and learn about their traditional way of life. Perhaps, just like when I was young, one of the old fisherman would let me ride in their boat and cast a line or two.

The day before, my spirits were high when I left my starting point in the city of Ventspils. I marched northwards through the hot sandy beach of the Baltic sea, sweating and aching but excited. 15km later, I reached the first village of Liepene and spotted my first fishing boats. But none were at sea, but dragged up on shore, seemingly decades ago and left to bake in the hot sun like tombstones marking the old way of life.

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Photo taken with Sony A77, by Nicholas Orloff.

Old boat and fishing/farm equipment left out on land. By Nicholas Orloff.

Photo taken with iPad.

There was no fishing going on.

Not in Liepene, or the next village of Targale, or Luzņa after that. I felt stupid. How could I not have known? What happened? My dream of experiencing the simple fishing life swam away. Then the following afternoon the camera tragedy struck. A fleeting thought of quitting and returning to Riga flew through my head—this journey was pointless. And walking along the sea in the deep sand was too tough with heavy boots, and there was nothing for me to discover here.

But the wild Latvian forest hugging the beach beckoned me with a promise of a fresh start—a long walk with nothing to photograph and to reminisce those days long ago walking through New York forests with the fishing lake at the end of the trails as my reward. Fishing was no longer a reward here, but the seaside at Cape Kolka was. Close enough.


 The north western Latvian forest is wild and unmaintained. I quickly found the trails are tricky—often they narrow before trees swallow them, leaving me no choice but to cut through the wilderness without a path to follow.

An overgrown path disappearing into a thick forest. By Nicholas Orloff.

Dead end. Photo taken with iPad.

The soft static white noise of the Baltic Sea’s waves crashing into the coast far to the west proved a more reliable means of navigation than a compass. Often turning back was not an option. Confusion sets in as I turn around to backtrack and find two paths forking out behind me. The forest spins around and folds in around me, like it’s sucking me in and thwarting exit. The loneliness of this forest was a lie and I was convinced that something was always watching me. I keep moving,  sweating from the humidity and inventing dangers in my mind, and just when I’m questioning the ability to leave, the trail gives way to an incongruously placed road.

An old forest road very overgrown with grease and plants. © Nicholas Orloff Photography.

Road to nowhere. Photo taken with iPad.

Overgrown with grass and weeds sprouting tall from the disintegrating pavement, it’s clear that neither feet nor wheels have beaten this old road for weeks. Who built them, I wonder, and why here?

By the end of my second day, having slept in an empty campsite the night before and rationing cheese, bread and dried meat carried from Ventspils, my chemical repellent soaked face slices through clouds of hungry mosquitos as I push forward. In my discomfort, I keep telling myself that barring severe injury, victimization by crime or arrest, it’s impossible to have a trip ruined. You can’t control what gets thrown your way.

But you can control your mindset. I let fishing and photography drop from my mind. And then something interesting happened.


By the third morning my senses heighten­ed. I zeroed in on the scent of the forest–wet, fresh dirt cleansed by the wind from the sea filtered through the tangle of trees. Another reminder of my childhood summers in the woods, the smell of freshly dug gardens that old Russian ladies kept on their front lawns, lining the the rough gravel road in the forest that my grandfather’s generation built their dachas on. But those old ladies, and the rest of that generation, are gone. And their gardens and homes are reclaimed by the forest.

I couldn’t shake the idea that everything eventually becomes a graveyard. Not because I’m morbid, but because what I found—an old military bunker sprouting from the forest carpet undergrowth like a mushroom. Or a tombstone.

Munitions storage bunker. Photo taken with Nicholas Orloff's iPad.

Military mausoleum. Photo taken with iPad.

I knew that Latvia was subjected to countless invasions, occupations, resettlements, crusades and wars. But I did not expect to see any evidence of this in the middle of the woods.

Was a war actually fought here? Can there be soldiers’ skeletons hidden just beneath the brush? This was the type of place you could find a body that’s been hiding for months, maybe years. And speaking of bodies, what if I fell and broke my leg? Nobody would find me, for nobody would be able to hear me. But that wouldn’t matter, because there were no people here—I haven’t seen anyone for two days.

As I moved, more tombstones, mausoleums and skeletons appeared.

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Watchtower. Photo taken with Nicholas Orloff’s iPad.

Inside an abandoned structure in the forests of western Latvia - by Nicholas Orloff

Structure of unknown origin and purpose. Photo taken with Sony A77.

Photo of a gunner's nest in the forests of the Livonian Coast. By Nicholas Orloff Photography.

Gun nest. Photo taken with Sony A77.

This stretch of coastline and the forest behind it was indeed a graveyard, for a war that never happened.


Later, I learned from locals that the Soviets militarized this coast after they reoccupied Latvia from Nazi Germany in 1944. They built a base and surrounded it with missile launchers and watchtowers. They carved a network of roads through the forest to move equipment and tanks.

Why? Because Cape Kolka was strategically important for it guards the Irbe Strait, the entrance to the Gulf of Riga. The Latvian coastline was now a USSR border and thus became a pawn in cold war paranoia, needing protection from possible invasion. And to aid that cause, many Livonians were forced out or deported to make way for the military. Those who were left needed special permits to enter and leave and the coast was off limits to anyone else. Restrictions on sailing rendered the Livonians’ boats useless for their intended purpose. So they dragged them back to their homesteads and they remained as tombstones marking the old way of life ever since.

And this is how the fishing died.


At the end day four I punch through tree line to greet the sun and sand I ran from before. Reinvigorated by the cool wind from the dark blue sea, I push through fifty hours’ worth of pain for the final push to Kolka along the beach, passing more clues of the militarized past along the way.

Military truck tied to fishing boat on the beach. © Nicholas Orloff Photography.

Standoff by the sea. Photo taken with iPad.

At the Cape, the sea and trees clash in a battle of erosion. Straddling the front line, with my left foot sinking in the sand of the beach and my right crunching through brush, I walk through two worlds at once, taking my time to circumnavigate the cape in the cool breezy air without sweat or purpose.

Trees crashing into the Baltic sea at the very tip of Cape Kolka. © Nicholas Orloff Photography.

Battle by the sea. Photo taken with iPad.


That evening, after luxuriously bathing in brown gritty well water I rest on the patio of an ancient family farmhouse turned guesthouse, sipping from a mug of yeast sweet kvas and picking at a plate of salty, pungent smoked fish. I muster up the energy for a final walk as the sun starts its leisurely descent, visiting icons of history that survived to carry on traditions to this day.

Russian Orthodox church. Photo taken with iPad. Reminds me of my childhood. © Nicholas Orloff.

Russian Orthodox church. Photo taken with iPad.

When you let go from a story that’s not working, you free yourself to discover a new one. The unintended consequence of my broken camera and abandoned plans was finding a story of unintended consequences—a story of how 50 years of military occupation and isolation kept a forest and coastline pristine and preserved. And today, the Latvian government is keeping it that way, as the Livonian coast is a protected national park for all to enjoy.

And as the sun disappeared below the water line, leaving the Cape in warm, wonderful pink and purple light, I finally found who and what I first set out to find.

Man fishing at Cape Kolka, Latvia. © Nicholas Orloff.

Alone with rods and thoughts. Photo taken with iPad.