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exploration hiking history nature travel

no fish to kolka

closeup shaky photo of a dirt by Nicholas Orloff

The Sony A77’s swan photo.

This photo of a dirt road is the last I took before a travel photographer’s worst nightmare struck. During a cold-stomached panic, all efforts to revive my camera were futile and for reasons I will never know, it was toast. With help out of reach, I strapped my substitute photographic device (iPad) to my chest and continued pushing through the forest like a grizzled woodland teletubby.

For as long as I remember, I’ve had a love of fishing. At our family house in the remote woods of upstate New York, my father and I would hike to a lake through the woods and we’d fish away the afternoon. Later in life, whenever I was in the need of peace or a freshly caught meal, I’d drive up there, walk through the forest and sit by the water with my rod and thoughts.

So when I read about the Livonian coast in north west Latvia, an 80km stretch of unspoiled coastline dotted with 12 historical fishing villages, I just had to go. It’s been a decade since I’ve fished, but I could experience it vicariously. I would walk the entire way, stop at each village, eat fish at ramshackle seaside cafés, chat with locals and learn about their traditional way of life. Perhaps, just like when I was young, one of the old fisherman would let me ride in their boat and cast a line or two.

The day before, my spirits were high when I left my starting point in the city of Ventspils. I marched northwards through the hot sandy beach of the Baltic sea, sweating and aching but excited. 15km later, I reached the first village of Liepene and spotted my first fishing boats. But none were at sea, but dragged up on shore, seemingly decades ago and left to bake in the hot sun like tombstones marking the old way of life.

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Photo taken with Sony A77, by Nicholas Orloff.

Old boat and fishing/farm equipment left out on land. By Nicholas Orloff.

Photo taken with iPad.

There was no fishing going on.

Not in Liepene, or the next village of Targale, or Luzņa after that. I felt stupid. How could I not have known? What happened? My dream of experiencing the simple fishing life swam away. Then the following afternoon the camera tragedy struck. A fleeting thought of quitting and returning to Riga flew through my head—this journey was pointless. And walking along the sea in the deep sand was too tough with heavy boots, and there was nothing for me to discover here.

But the wild Latvian forest hugging the beach beckoned me with a promise of a fresh start—a long walk with nothing to photograph and to reminisce those days long ago walking through New York forests with the fishing lake at the end of the trails as my reward. Fishing was no longer a reward here, but the seaside at Cape Kolka was. Close enough.


 The north western Latvian forest is wild and unmaintained. I quickly found the trails are tricky—often they narrow before trees swallow them, leaving me no choice but to cut through the wilderness without a path to follow.

An overgrown path disappearing into a thick forest. By Nicholas Orloff.

Dead end. Photo taken with iPad.

The soft static white noise of the Baltic Sea’s waves crashing into the coast far to the west proved a more reliable means of navigation than a compass. Often turning back was not an option. Confusion sets in as I turn around to backtrack and find two paths forking out behind me. The forest spins around and folds in around me, like it’s sucking me in and thwarting exit. The loneliness of this forest was a lie and I was convinced that something was always watching me. I keep moving,  sweating from the humidity and inventing dangers in my mind, and just when I’m questioning the ability to leave, the trail gives way to an incongruously placed road.

An old forest road very overgrown with grease and plants. © Nicholas Orloff Photography.

Road to nowhere. Photo taken with iPad.

Overgrown with grass and weeds sprouting tall from the disintegrating pavement, it’s clear that neither feet nor wheels have beaten this old road for weeks. Who built them, I wonder, and why here?

By the end of my second day, having slept in an empty campsite the night before and rationing cheese, bread and dried meat carried from Ventspils, my chemical repellent soaked face slices through clouds of hungry mosquitos as I push forward. In my discomfort, I keep telling myself that barring severe injury, victimization by crime or arrest, it’s impossible to have a trip ruined. You can’t control what gets thrown your way.

But you can control your mindset. I let fishing and photography drop from my mind. And then something interesting happened.


By the third morning my senses heighten­ed. I zeroed in on the scent of the forest–wet, fresh dirt cleansed by the wind from the sea filtered through the tangle of trees. Another reminder of my childhood summers in the woods, the smell of freshly dug gardens that old Russian ladies kept on their front lawns, lining the the rough gravel road in the forest that my grandfather’s generation built their dachas on. But those old ladies, and the rest of that generation, are gone. And their gardens and homes are reclaimed by the forest.

I couldn’t shake the idea that everything eventually becomes a graveyard. Not because I’m morbid, but because what I found—an old military bunker sprouting from the forest carpet undergrowth like a mushroom. Or a tombstone.

Munitions storage bunker. Photo taken with Nicholas Orloff's iPad.

Military mausoleum. Photo taken with iPad.

I knew that Latvia was subjected to countless invasions, occupations, resettlements, crusades and wars. But I did not expect to see any evidence of this in the middle of the woods.

Was a war actually fought here? Can there be soldiers’ skeletons hidden just beneath the brush? This was the type of place you could find a body that’s been hiding for months, maybe years. And speaking of bodies, what if I fell and broke my leg? Nobody would find me, for nobody would be able to hear me. But that wouldn’t matter, because there were no people here—I haven’t seen anyone for two days.

As I moved, more tombstones, mausoleums and skeletons appeared.

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Watchtower. Photo taken with Nicholas Orloff’s iPad.

Inside an abandoned structure in the forests of western Latvia - by Nicholas Orloff

Structure of unknown origin and purpose. Photo taken with Sony A77.

Photo of a gunner's nest in the forests of the Livonian Coast. By Nicholas Orloff Photography.

Gun nest. Photo taken with Sony A77.

This stretch of coastline and the forest behind it was indeed a graveyard, for a war that never happened.


Later, I learned from locals that the Soviets militarized this coast after they reoccupied Latvia from Nazi Germany in 1944. They built a base and surrounded it with missile launchers and watchtowers. They carved a network of roads through the forest to move equipment and tanks.

Why? Because Cape Kolka was strategically important for it guards the Irbe Strait, the entrance to the Gulf of Riga. The Latvian coastline was now a USSR border and thus became a pawn in cold war paranoia, needing protection from possible invasion. And to aid that cause, many Livonians were forced out or deported to make way for the military. Those who were left needed special permits to enter and leave and the coast was off limits to anyone else. Restrictions on sailing rendered the Livonians’ boats useless for their intended purpose. So they dragged them back to their homesteads and they remained as tombstones marking the old way of life ever since.

And this is how the fishing died.


At the end day four I punch through tree line to greet the sun and sand I ran from before. Reinvigorated by the cool wind from the dark blue sea, I push through fifty hours’ worth of pain for the final push to Kolka along the beach, passing more clues of the militarized past along the way.

Military truck tied to fishing boat on the beach. © Nicholas Orloff Photography.

Standoff by the sea. Photo taken with iPad.

At the Cape, the sea and trees clash in a battle of erosion. Straddling the front line, with my left foot sinking in the sand of the beach and my right crunching through brush, I walk through two worlds at once, taking my time to circumnavigate the cape in the cool breezy air without sweat or purpose.

Trees crashing into the Baltic sea at the very tip of Cape Kolka. © Nicholas Orloff Photography.

Battle by the sea. Photo taken with iPad.


That evening, after luxuriously bathing in brown gritty well water I rest on the patio of an ancient family farmhouse turned guesthouse, sipping from a mug of yeast sweet kvas and picking at a plate of salty, pungent smoked fish. I muster up the energy for a final walk as the sun starts its leisurely descent, visiting icons of history that survived to carry on traditions to this day.

Russian Orthodox church. Photo taken with iPad. Reminds me of my childhood. © Nicholas Orloff.

Russian Orthodox church. Photo taken with iPad.

When you let go from a story that’s not working, you free yourself to discover a new one. The unintended consequence of my broken camera and abandoned plans was finding a story of unintended consequences—a story of how 50 years of military occupation and isolation kept a forest and coastline pristine and preserved. And today, the Latvian government is keeping it that way, as the Livonian coast is a protected national park for all to enjoy.

And as the sun disappeared below the water line, leaving the Cape in warm, wonderful pink and purple light, I finally found who and what I first set out to find.

Man fishing at Cape Kolka, Latvia. © Nicholas Orloff.

Alone with rods and thoughts. Photo taken with iPad.

Categories
exploration history travel

abandoned mine exploration in the arctic

Mine 2B viewed from ground level - taken by Nicholas Orloff in 2014, Svalbard.

Mine 2B

Several days ago I climbed a mountain in the Arctic to explore Mine 2B, which has been abandoned since 1969. In Svalbard, it is law that anything made by humans before 1946 must be protected; nothing can be touched or removed. Combined with the cold, dry climate, this creates fantastic opportunities to catch a glimpse of mining life half a century ago.

Located above the tiny settlement of Nybyen, it’s a steep and slippery climb. This past week it was unusually warm, which resulted in the snow melting and refreezing. So I had to be careful.

Mine 2B, seen as approaching during ascent. Taken by Nicholas Orloff in 2014, Svalbard.

The mine becomes more intimidating as you ascend.

The climb is worth the effort for the view of Longyearbyen alone. This is the only area outside the “polar bear safe zone” that you can get away with venturing to on your own. In 1995, two tourists ignored advice from the locals and hiked up to Platåberget, the mountain you can see to the left in the next picture. Up top, where one would least expect it, a polar bear attacked them. One of them died. I was however, putting a lot of faith into the idea that I wouldn’t find a polar bear inside this structure.

View of Longyearbyen, Platåberget and Isfjorden. Taken by Nicholas Orloff in 2014, Svalbard.

View of Longyearbyen, looking out from the entrance to the mine.

I was creeped out as soon as I made it inside. The four month long polar night just started, so you only have a dim, grey-bluish soft light coming from a sun below the horizon for three hours a day. When you turn your back from the view, this is what you’re faced with:

The main "hall" of Mine 2B, immediately inside the entrance. Taken by Nicholas Orloff in 2014, Svalbard.

Reminiscent of whichever horror movie you’d prefer not to think about.

It’s cold, dark and noisy–outside the wind howls, whistles and invades every hole and crack in the walls. Doors bang, ropes and hooks swing about and wood creaks whether you step on it or not. I had the foresight to pack a photographer’s LED flood lamp for this trip, which attaches to my camera’s hotshoe. It wouldn’t have been possible to explore and concentrate on photography without it, so it was worth its weight in carry-on baggage allowance.

The building is over run with ice:

When I reached what looked like a dead-end the far end of the first level, I opened a door and found this staircase:

Staircase leading up to the second level of Mine 2B. Taken by Nicholas Orloff in 2014, Svalbard.

Many other horror movies came to mind.

As you ascend and explore different rooms, you find machinery frozen in mid operation:

Abandoned rooms, all with different purposes lie hidden in nooks and behind doors:

Tools, clothing and equipment lay undisturbed for half a century:

After an hour or two alone in this place, you start going strange and hear voices. It’s something to do with being alone in ruins sitting on a frozen mountain in one of the remote places on earth. I kept thinking, “am I actually alone in here”?

When you reach the third level of the structure, you must squeeze out of a door half frozen shut and you come across a plank bridge that connects to an adjacent building.

A rickety plank bridge spanning two buildings of Mine 2B. Nicholas Orloff Photography.

You have two choices–cross or turn back.

Of course, I crossed it. But then I had my final test:

A steep ladder you must climb to reach the top building of Mine 2B. Nicholas Orloff Photography, 2014.

Covered in ice and rotting, you must climb on all fours.

But when you reach the top, you’re rewarded with views like this:

A view of Longyearbyen from the opening of Mine 2b - taken by Nicholas Orloff. But climbing back down is a lot more difficult…

View from the very top of the Mine 2B complex.

My foot is in the shot for a sense of scale.

On the way down, I found this corridor to the other side of the mountain. The floors are rotten and you need to cross with great care:

A corridor with tracks leading to the mine shaft.If you look along the middle of the floor, you see metal tracks. This is how coal was transported from the mineshaft to the building for processing. Then it was loaded on cable cars and transported to the harbour. I walked towards the light and found an entrance to a mine shaft. It’s long been sealed: first by human bricks, then by nature’s ice:

I spent about three hours inside the mine, as this was quite possibly a once in a lifetime opportunity. It’s anybody’s guess to when (not if) it is destroyed, whether by the ice, an avalanche or even fire. I mention fire, for the original mine (mine #2) was set alight in 1944 by German sailors and continued to burn for twenty years.

It was getting dark(er) outside, so I decided to get out of this mine and off the mountain. As made my way to the exit, I spotted a nook that I somehow missed:

A nook in the Mine 2B structure, which was reserved for pin-up girl photos.

I made my way over the ice-flooded floor and realised that the rotting papers on the wall were something special. I found, quite literally, the human faces that proved this was somewhere living, breathing people spent the majority of their waking lives.

I’m sure that they helped the miners keep warm during their long days inside this Arctic mountain.

 

Categories
history tourism

hms victory

Nicholas Orloff - Photography taken at HMS Victory in England, UK. Previously I wrote about travelling in your own country.

Friends and family visiting from far away are great opportunities to play tourist in your own land. This past weekend my father came to visit all the way from California. I enjoyed catching up with him and seeing England from a visitor’s point of view.

Being a tourist is not necessarily a bad thing, as there are plenty of attractions that are worth visiting. Our first stop was Portsmouth, England to tour the HMS Victory. It’s hard trying to photograph heavily visited attractions in a new light. Or in this case, in an extreme lack of light, as it is quite dark inside. I think it’s deliberately kept that way to recreate the experience aboard over 200 years ago. I anticipated it would be quite tight inside as well, so I brought along a fish-eye for good measure.

Here’s a selection from that afternoon: